A Portrait Of A Young Man Essay

, Research Paper

A Portrait of a Young Man. 2

Portrayal of a Young Man was painted by Angolo Bronzino between the old ages of 1503-1572. The portrayal is 37 5/8 by 29? inches and is an oil on wood ( Metropolitan Museum of Art, 1999 ) . I picked this picture because of the ego confidence, at first glimpse, of the immature adult male that is depicted. This appealed to me because it reflected my ain attitude. After analyzing the portrayal for a considerable sum of clip I began to see possible unhappiness or diffidence in the immature adult males face that betrays his powerful stance. I felt a connexion to the immature adult male, cognizing all excessively good what it was like to show a powerful outside image while cognizing there was a ego witting and scared individual indoors.

The chief image of the portrayal is the immature adult male. He is have oning a long black jacket, in the manner of the 16th century, with portion of a white rippled neckband and turnups glancing out of his jacket. He is besides have oning a black and what appears to be a beaded beret. He has a light skin color. His ellipse shaped face contains an ellipse shaped dark eyes with light, rounded superciliums. He has an elongated olfactory organ with an indenture underneath it. He has Prunus persica colored lips and a clefted mentum. He is somewhat turned towards the spectator. His left manus is resting on his waist, the fingers are dispersed apart except for his center and pealing fingers, they & # 8217 ; re shut together and his right manus is keeping a poesy book ( Metropolitan Museum of Art, 1999 ) with his index finger between the pages. Under his left arm there is the arm of a brown chair with a monsters face and back uping his right arm is an ornate, plum colored table with another monsters

An Artistic Evaluation 1

An Artistic Evaluation:

Portrayal Of A Young Man

Samantha Sauri

Prof. Vrachopoulos

Art 101

February, 28, 1999

3 caput worked into the side. Harmonizing to the Metropolitan Museum of Art, the monster caputs that are found on the furniture and on the creases of the immature adult males vesture, which I was unable to turn up, touch to literary mentions that would hold been appreciated by the creative person & # 8217 ; s friends. In the background there is a green colored

room, that includes a door frame, a Doric column and a capital.

Portrayal of a Young Man was painted during the Mannerism period. It was done by Bronzino in Italy c.1540. The portrayal is 37 5/8 by 29? inches, it & # 8217 ; s perpendicular because it & # 8217 ; s a portrayal. The frame cuts the forms in the picture, this was done intentionally in the typical Mannerism manner which normally crowded the pictural country. The picture is supported by wood, opaque oil pigments were applied thickly with a all right coppice, I was unable to see any distinguishable coppice shots. The signifiers are level except for the beads on the immature adult male & # 8217 ; s hat which seem to raise off the picture.

The portrayal contains a simple organisation. There are few single units like the chair and tabular array but the image is crowded. The forms are regular and complete with clear specifying lines. The picture is geometrically ordered, the chair and table appear to back up and reenforce the airs of the immature man.The pallet the creative person used is subdued, field and limited in contrast to the Mannerists usual conflicting, bright colourss. The two dominant colourss are black and green. These colourss fall into the impersonal and cool subdivision of the colour spectrum. The light beginning is elusive and outside the image but the portrayal contains no tailing. The infinite is shallow and screened, the position is additive

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doing the immature adult male to be non merely the accent but to look near to the perceiver. The immature adult male is stationary, distant and is shown from the mid-thigh up. He is dressed in formal tight vesture that gives no indicant of whom he is or where he is from. It is possible that the portrayal is a cabinet image which would account for the drab temper of the portrayal. I felt a connexion and an apprehension with the picture. The immature adult male is supposed to relay a certain image, the image of power and self confidence but it gave an aura of apprehensiveness. It appealed to the humane and knowing facet of my psyche. The rating helped me to understand how art conveys images and feelings and how to place them. I antecedently didn & # 8217 ; t cognize how to observe these facets of art, I admired pictures for their esthetic value but non their religious value. This undertaking helped me appreciate that.