Nature And The Human Soul Essay Research

Nature And The Human Soul Essay, Research Paper

Langston Hughes uses nature in several dimensions to show the powerful battles and loads of human life. Throughout several of Langston Hughes poems, the sweeping imagination of the beauty and power of nature demonstrates the battles the characters confront, and their eventual freedom from those battles. Nature and freedom coexist, and the characters finally learn to happen freedom from the confines of society, oneself, and eventually freedom within 1s soul. The usage of nature for this purpose brings the characters and talkers in Hughes plants to life, and the reader feels the life and freedom of those characters. Nature, in the plants of Hughes serves as a powerful symbol that represents the battle of the human psyche towards freedom, the torment of that battle, and the joy when that freedom is eventually reached. In Langston Hughes poesy, nature serves as a strong symbol for victory and licking of the psyche. He uses the imagination of rivers to show the talker & # 8217 ; s connexion with the Earth and nature in his verse form. The Negro Speaks of Rivers. In this verse form, the talker in the verse form has known Rivers ; he speaks of rivers ancient as the universe and older than the flow of human blood in human venas. Rivers symbolize the line of life of the Earth. When the talker refers to the rivers, he is reflecting on his connexion with the Earth. He feels a portion of the Earth, and it is about as if his psyche is kindred to the Earth when he says, & # 8220 ; My psyche has grown deep like the rivers. & # 8221 ; In this verse form, Langston Hughes uses the imagination and symbolism of rivers as an look of the unity between the psyche and the Earth. The talker & # 8217 ; s psyche is united with nature ; he is like a river in that he is connected with Earth, nature, and himself. In the verse form & # 8220 ; Sun Song & # 8221 ; , by Langston Hughes, there is a similar look of the affinity between adult male and Earth, yet a elusive contrast exists. In this verse form, nature is non viewed as entirely perfect. The talker sings of & # 8220 ; Sun and softness, & # 8221 ; and & # 8220 ; Sun and the beaten hardness of the Earth & # 8221 ; . The softness of the Sun and the hardness of the Earth show the duality of adult male & # 8217 ; s relationship with nature. Man basks in the beauty of nature while at the same clip fighting against its forces. The Earth is difficult and we toil under the Sun, yet we can appreciate the admiration of Sun and the vocal of all the sun-stars. Hughes musical linguistic communication expresses without contempt this relationship between adult male and the Earth. Again, in the verse form & # 8220 ; Dream Variations & # 8221 ; , Hughes demonstrates how nature helps observe and liberate the psyche. The tone of the verse form is celebratory and the talker is joyous as he rejoices at the terminal of a twenty-four hours:

To fling my weaponries broad

In some topographic point of the Sun, & lt ;

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To twirl and to dance

Till the white twenty-four hours is done.

Then remainder at cool eventide

Beneath a tall tree. . .

The talker in the psyche is free and liberated as he rejoices with nature.

He celebrates in the Sun, and rests beneath the comfort of a tree. Nature non merely provides adult male with a agencies to show the freedom of his psyche, but it besides gives adult male alleviation. In contrast, a different side of nature is depicted in Hughes verse form, & # 8220 ; Song for a Dark Girl & # 8221 ; . The linguistic communication in this verse form paints a ghastly image of a racialist South. In this verse form, nature is rough, unjust, and cruel. Alternatively of supplying

adult male with a agencies to show the freedom of his psyche, nature confines the psyche. Nature serves as a symbol for the imprisonment and decease of the psyche. The black adult male that is lynched in the verse form could non be free in this society, and the miss he leaves behind mourns at the sight of the tree. For her, the image of this tree brings anguish to the psyche:

Way Down South in Dixie

( interrupt the bosom of me )

They hung my black immature lover

To a hamlets tree.

The tree is the object on which this miss & # 8217 ; s lover was hung. Nature becomes a symbol for the load of the torment of the psyche. Nature & # 8217 ; s function in this verse form non merely kills the immature lover, but besides suffocates the psyche of the immature miss.

Nature bears witness to the immoralities of adult male, the agonies of love, the

loss of a loved one to a brutal and inhumane decease. Nature serves non as a symbol of the load of the freedom of the psyche, but as a symbol for the imprisonment and decease of the psyche. Here nature is the image of devastation, immorality, and natural homo hurting. In Langston Hughes & # 8217 ; poesy, a Negro speaks of his connexion to rivers, deep in the Earth, of the softness of the Sun, and yet he besides speaks of the gnarly tree from which hangs the organic structure of a bruised, dead Negro. The imagination in these two plants appear to stand for rather different human experiences, but a closer

scrutiny reveals that he represents the basic human battle that plagues the characters/speakers in these plants. In these plants, the images of nature serves as a symbol of the freedom of the psyche, yet at the same time functioning as a symbol for the load of accomplishing that freedom, and the torment of the battle. Hughes usage

nature in their plants in the signifier of sweeping imagination, affecting metaphors, and precise, powerful symbolism. The usage of nature for this intent draws their characters/speakers to life and adds great deepness to their plants. Nature non merely represents world & # 8217 ; s greatest cloud nine, but besides symbolizes our greatest enemy. . . the Earth on which we live.