Waiting For Godot Essay Research Paper Existentialists

Waiting For Godot Essay, Research Paper

Existentialists believe, in short, that life is unpointed and adult male petit larceny and suffering. Though existential philosophy covers many subjects the beliefs about faith remain some of the more noteworthy. Samuel Beckett embraces the thought that faith is absurd, irrational and pointless. He portrays those positions through his drama Waiting For Godot. Beckett uses the characters in Waiting For Godot to picture his satirical, existentialist positions on faith.

Beckett uses Godot as a vindictive Jesus to Estragon and Vladimir. Just as one goes to hell for bewraying God Estragon and Vladimir receive penalty for bewraying Godot.

Tarragon: And what if we dropped him? ( Pause ) If we dropped him?

Vladimir: He & # 8217 ; d penalize us.

Pg59

In the same manner, one may get the gift of Eden for obeying God and Estragon and Vladimir shall have a wages for their obeisance to Godot.

Vladimir: Unless Godot comes.

Tarragon: And if he comes?

Vladimir: We will be saved.

Pg60

In add-on, Beckett satirizes human behaviour in the absence of God through the actions of Estragon and Vladimir in the absence of Godot.

Tarragon: That & # 8217 ; s all a battalion of prevarications! ( Shaking the male child by the arm. ) Tell us the truth!

Male childs: ( Trembling ) But it is the truth sir!

Vladimir: What & # 8217 ; s the affair with you?

Tarragon: I & # 8217 ; m unhappy.

Pg54

The courier male child represent the enlightened. Beckett makes a distinguishable analogue between the male child and God & # 8217 ; s angles. The male child portrays a prophesier sent straight from Godot to inform Vladimir, or the clergy, how to take Estragon, or the people of the church.

Vladimir: You have a message from Godot?

Male childs: Yes sir.

Vladimir: Well, what is it? & # 8230 ; .

Male child: Mr. Godot told me to state you he won & # 8217 ; t come this eventide but certainly To- morrow.

Pg53-55

The male child besides plays the merely 1 to of all time see or hold any direct contact with Godot.

Vladimir: You work for Mr. Godot? & # 8230 ; .

Male childs: Yes sir. What am I to state Mr. Godot sir?

Vladimir: Tell him & # 8230 ; ( He waver

s. ) …tell him you saw us.

Pg55-56

Beckett uses Lucky and Pozzo to demo adult male & # 8217 ; s inability to see his ain absurd behaviour. Estragon and Vladimir think Pozzo & # 8217 ; s behavior strange, and his intervention of Lucky inhumane. They fail to see themselves and Godot & # 8217 ; s neglect for them in this pathetic brace.

Pozzo: & # 8230 ; Up hog! ( Pause ) Every clip he drops he falls asleep. ( Jerks the rope. ) Up pig! & # 8230 ; Back! ( Enter Lucky backwards. ) Stop! ( Lucky Michigans. ) Bend! ( Lucky turns. ) & # 8230 ; Coat! ( Lucky progresss, gives the coat, goes back to his topographic point, takes up the bag. )

Pg21-22

Merely as Lucky leaps for Pozzo, Estragon and Vladimir leap for Godot.

Estragon and Vladimir symbolize the church as a whole. Beckett uses Vladimir as the clergy who ministers to Estragon as the ill-conceived multitudes. Vladimir ne’er strays from his religion to Godot. He serves as a changeless reminder that Godot will come.

Tarragon: Let & # 8217 ; s travel.

Vladimir: We Can & # 8217 ; T.

Tarragon: Why non?

Vladimir: We & # 8217 ; re waiting for Godot.

Pg8

Since the male child symbolizes a sanctum trumpeter he confers merely with the clergy, in this instance, Vladimir.

Vladimir: To-morrow everything will be better.

Tarragon: How do you do that out?

Vladimir: Did you non here what that kid said?

Tarragon: No.

Pg56

Upon having the Godhead word it is the occupation of the sermonizer to acquire the message out to the people of the religion.

Tarragon: Where shall we travel?

Vladimir: Not far.

Tarragon: Why non?

Vladimir: We have to come back To-morrow.

Tarragon: What for?

Vladimir: To wait for Godot.

Pg107

Beckett uses the figures in Waiting For Godot to portray his misanthropic, existentialist positions on faith. The wide subject of existential philosophy covers far more than faith, though it prevails as the most popular facet. Beckett thinks faith silly and impractical and shows those beliefs in his drama Waiting For Godot. Existentialism besides covers subjects such as human nature and mere being. One may specify it as the belief that life is impoverished and adult male meaningless.