Antigone Notes Essay Sample

* Ismene is for the submissive function of adult females. cite on page 4 * On page 13 Creon negotiations about chastening Antigone. Antigone needs to be tamed because adult females are supposed to be submissive and Creon’s ability to regulation is in his ability to hold everyone. particularly adult females submissive. * On page 14. Creon’s remark about serpents suggests that adult females are snake like in nature. with a manipulative fraudulence to their nature. He suggests that adult females hide their evil qualities behind attractive expressions. * Creon thinks that all adult females are all the same

* “It’s really of import to maintain adult females purely disciplined” page 15 * “If I must lose my throne. allow it be a adult male that takes it from me. I can’t have people stating my will has been defeated by a adult female. ” Creon on page 17 * “Deprived of my opportunity to get married and raise children” Antigone on page 22. She recognizes how these play a function in her being a adult female and it’s noteworthy that she finds it noteworthy that she will be losing out on matrimony and kids. Individual V Society

* Antigone is the first to travel against social norms. when she goes against Creon. Although she does so in honor of the Gods * There is a sense of Antigone being an stray force. non even her sister agrees with her * A Doll’s House – both Nora and Antigone disobey society for the people they love * Creon V Society – on page 13 when Antigone says “these work forces are on my side. but they daren’t say so” . everyone is on her side but they can non talk up. Creon has lost sight of what the state really wants. * Creon vs Society – Haemon remarks on page 18. “You can see the trees…to survive the flood” …Standing still and entirely against the tide will convey about the ruin of the person? * Page 22 and 23 as Antigone goes to de reprobating society * “ I’m non. I’m merely powerless to move against the city’s Torahs. ” – Page 4. Isme Youth V Age

* Qualities associated with age
* Page 18 “Am I to stand here and be lectured to by a child? A adult male of my experience? ” – Creon after being talked to by Haemon * Page 23 “It’s old Teiresias. What’s up. old chap? ” * Page 9. “Shut up before I lose my pique. You may be old. seek non to be foolish as well” – does Creon believe that age brings foolishness? What about himself? * Page 18. Haemon says “I may be immature. but justice me by the facts. ” * Page 19. Haemon says to his male parent. “You are speaking like an stripling now. ” * Creon positions vernal people as irrational?

* ”All old work forces have learned to be reasonable ; but their juniors will non take the lesson as proved. ” * Those that have non experienced god’s wrath are still drawn to dispute him Morals vs The Gods

* On Page 4. Antigone is wholly audacious in her fear of the Gods. “I intend to give my brother entombment. I’ll be glad to decease in the effort – if it’s a offense. so it’s a offense that god bids. ” * The Chorus is at that place to foreground the power of the Gods over the power of man- their message seems to be if the Gods are against you there is no hope for you * Creon is more interested in secular powers than he is in the power of the Gods. He merely explicitly negotiations to/ refers to god at the terminal. after the catastrophe that acts as deux ex machina. coercing Creon to eventually subject to the Gods * “All other truenesss are capable to our country’s involvements. ” – Creon on page 7. He thinks that even truenesss to the Gods come 2nd to the state. a state that he is in control of. * Creon’s thought procedure is centred around adult male and his failure to maintain away from lecherousnesss like adult females and money. He struggles to believe that Haemon’s intervention is non because of his lecherousness for Antigone. and that Antigone buried her brother for honor. * Page 9. Creon sees all his Torahs as merely. He believes that Gods punish people that disobey him because he feels they should. He feels he knows the will of the Gods. assuming that he is in himself a kind of God. * We besides think that the chorus is seeking to emphasize the demand for a balance. * Both Antigone and Creon are both short-sighted in their un hesitation sentiments. it’s reasonably tragic. * Antigone on page 12

* Antigone and Haemon take the functions of the Gods when they kill themselves and as such their ‘marriage is consummated in hell’ Life V Death
* There is an importance to how one enters the hereafter because life is impermanent but life after decease is ageless
* No human can contend decease page 10 and 23
* Creon may value life over decease because in life he can be in control but in decease the Gods have power over him. * There seems to be a in-between topographic point between life and the hereafter. Polynicies is non alive but non dead in that he is waiting to be taken to the hereafter. and all this is in the custodies of Antigone’s actions and the Gods. * Death Idaho an unmanageable force. on page 30 Creon says “ I invite decease. Or make you merely come uninvited? ” TRADEGDY

* Oedipus is said to be the lone Grecian calamity that follows all the regulations of a calamity. * It’s all to make with the secret plan. Plot is cardinal
* The secret plan has to be complete. ‘Unity of action. ’ – Everything is connected. There is a cause and consequence continuum. Everything works together. * Mimesis. – an imitation of action. It’s meant to demo instead than state a narrative. It’s non a narrative. it’s non stating a narrative. it’s screening. * The thought of destiny.

* Tragedy arouses commiseration and fright in the audience
* Character and word picture.
* Nobility of Spirit – Megalopsychia – a potency of illustriousness – this makes the audience attention about the character * They have this illustriousness but they have this defect. ( Hamartia ) * Hubris – & gt ; a type of tragic defect. it is arrogance. believing you know better and non being able to accept your defects. Creon has this. * Fictional characters are true to life. realistic in their thought * There is a consistence. they are true to themselves and their believes * Tragic hero goes through passage by the terminal of the calamity he has a better apprehension of himself and his being * Anagnorisis a minute of acknowledgment Creon has this at the terminal * Edginess from the beginning. so it builds to the flood tide * The calamity so ends with a katharsis a cleaning. a purge of the emotions for the audience