Othello Comparison Essay Sample

How is the subject of enduring portrayed in ‘Othello’ . ‘Wuthering Heights’ and ‘One flew over the Cuckoo’s Nest’ ? The subject of enduring can come in legion assortments ; under classs both physical and emotional. Agony is presented as a cardinal construct in ‘Othello’ . ‘Wuthering Heights’ and ‘One flew over the Cuckoo’s Nest’ . All three texts explore many facets of enduring in parts. nevertheless the most obvious and concentrated aspect leans towards the psychological facet instead so the physical side. In the three chosen texts many of the characters suffer from some kind of emotional injury. Psychological agony and hurt is a major subject in all three chosen texts as the writers use this complaint in order to drive the storyline forward. invoke poignancy and finally make up one’s mind a characters destiny. In this essay I will look at all types of agony explored in the texts ; closely analyzing how each character copes separately and looking at their experiences during their period of torture. The bulk of the chief characters in this all three texts suffer mentally and emotionally at some point in their ain manner. Psychological agony is a outstanding facet in Shakespeare’s Othello.

The most obvious character that falls into this class is Othello. The famed Moorish general is infatuated with the lady Desdemona ; a love so great that it should exceed cultural and societal differences. but alternatively it leaves them defenceless before the deathly machinations of the vindictive Iago. Through the changeless use from Iago. Othello becomes the paranoid figure we see for the bulk of the drama. Iago persuades Othello that his dear has been ‘cuckolding’ with the character Cassio. Iago like an expert conducts this act in a crafty mode. being demure with his replies to Othello’s oppugning. which automatically sparks off Othello’s intuitions and the irremovable kernel of uncertainty. Like Iago is the chief provoker to Othello’s psychological agony. in One flew over the cuckoo’s nest there are work forces on the ward whose jobs have clearly been caused by other outside influences besides. chiefly other people. The character Billy Bitter. who has a terrible stammer. suffers from this complaint due to his mother’s oppressive intervention towards him.

The character Dale Harding besides suffers emotional convulsion in the signifier of sexual green-eyed monster simply by the attraction of his married woman. Both of these characters psychological agony is non aided by Nurse Ratched who is frequently referred to as ‘the mother’ on the ward. Her oppressive nature is apparent. peculiarly when she often threatens to describe Billy’s behavior to his female parent if he steps out of line. “You know Billy. what worries me is how your female parent is traveling to take this. ” Due to his vulnerable status. such menaces necessarily lead to Billy’s eventual self-destruction. In contrast. the character Heathcliff from Wuthering Heights has no outside influences when it comes to his emotional province. The characters covetous compulsion for his lone love Catherine straight corresponds to his psychological agony. After what he sees as a treachery when Catherine marries the well-thought-of Edgar. Heathcliff’s chief aim in life was to derive retaliation utilizing his power and use. This representation is really similar to the aim of the character Iago ; pull stringsing others in order to fulfill his ain terminals.

Unlike Othello nevertheless. Heathcliff’s retaliation was non directed at Catherine. but those elements that prevented them from being together. Hindley. who at the point Catherine was married to Edgar. had taken to chancing and imbibe in order to contend his ain psychological agony over the decease of his married woman. At childhood. Hindley described Heathcliff as a “Cuckoo! ” An encroacher into the household. and mistreated Heathcliff every clip the chance arose. Again. when Mr. Earnshaw died and Hindley became maestro of Wuthering Heights. he enlisted Heathcliff into servitude and prevented his contact with Catherine. These Acts of the Apostless upon Heathcliff made him endure both physically and emotionally. “He shall hold his portion of my manus. if I catch him downstairs once more till dark. ” Such events lead to Heathcliff’s desire to derive retaliation on Hindley. Heathcliff finally becomes maestro of Wuthering Heights every bit good as handling the unwanted boy. Hareton after Hindley had died in the manner his step-brother had treated him.

Othello’s love for Desdemona was so deep he could non bear the idea of another being with her ; “If she be false. Oxygen! Then heaven mocks itself. I’ll non believe’t. ” Iago uses the characters of Cassio and the obsessional Roderigo as his arms in his craft program. Iago drives the thought into Othello’s head that Desdemona has been unfaithful. motivating him into a province of green-eyed monster. “Excellent wretch! Perdition catch my psyche. but I do love thee ; and when I love thee non. pandemonium is come once more. ” Othello turning insecurities about his wife’s fidelity merely adds to his psychological agony which in bend Acts of the Apostless as a accelerator towards the agony of other characters involved in the drama. Iago tells these prevarications with the purpose of driving Othello insane every bit good as set up his laterality and influence the state of affairss of those characters near to Othello. Evidence of this comes in one of Iago’s monologues from act two. scene one ; “That Cassio loves her. I do good Believe’t: That she loves him. ‘tis disposed and of great recognition. ” This subdivision shows that he is seeking to convert himself that his ain manipulative prevarications are true and is seeking to reassure his motivations by warranting his ain actions.

By converting Othello that Desdemona may be fornicating with his lieutenant Cassio instantly engages his intuitions as he knows the brace have a close bond anyhow as Cassio was the 1 who wooed Desdemona for Othello in the first topographic point. In One flew over the cuckoo’s nest. all the characters on the ward are considered huffy. The psychological issues each of the patients suffers all invoke different readings by the audience into how their complaint was caused. The writer Kesey nevertheless. strongly suggests that instead so outside influences from society. occupants on the ward are at that place due to the fact that they merely can’t trade with society’s force per unit areas for them to conform. Their Psychological suffering/ insanity has been caused by others who have left an impact on their lives. Similarities can be drawn between this state of affairs and that of the drama Othello. The character Iago. in these footings being an outside influence. is the cause for the psychological agony of characters such as Othello and Roderigo via his use.

Very much like Iago. Heathcliff plays on the emotions of Edgar in order to bring down every bit much agony he can on the adult male who stole his darling. Knowing full well that Catherine still had feelings for Heathcliff. Edgar attempted to maintain them apart but to no prevail. When Catherine reveals to Heathcliff that Edgar’s sister admires him. he sees this as a premier chance to bring down enduring upon Edgar. The developing love affair between Isabella and Heathcliff leads to Edgar enduring a psychological blow when he loses his sister. The brotherhood of Heathcliff and Isabella mentally disturbs Edgar to the point where he refuses to hold contact with her. “I ne’er want to see your face once more or listen to your voice once more every bit long as I live. ” Twelve old ages after Catherine died in childbearing. Heathcliff. now an emotional wreck still seeks to derive yet more retaliation over Edgar. Heathcliff smartly cultivates a relationship with his boy Linton and Edgar’s girls Cathy to the point where he finally imprisons Cathy and makes her marry Linton.

This act is the concluding portion of Heathcliff’s retaliation in the novel. Once Edgar. who’s physical agony and unwellness cause him to decease shortly after the brotherhood ; Heathcliff will go the maestro of Thrushcross Grange. one time the inevitable decease of his frail boy takes topographic point. All of the false truths Iago nowadayss to Othello dispute his psychological boundaries to the point where he is so consumed ; his actions retroflex his emotional province. This is obvious near the terminal of the drama when Othello really kills Desdemona. He commits this offense. under the pretense of righteous outrage alternatively of uncovering his true logical thinking. This state of affairs suggests that Iago has corrupted Othello’s emotional province ; that his inner agony has driven him to perpetrate the slaying of an guiltless with false grounds. Even though Othello has an duty to let his married woman to postulate the charge of criminal conversation. he disregards this in order to fulfill his ain arrested developments. Othello’s internal agony is the outstanding factor in his actions. conveying him to decision that the lone manner to stop his agony and the hereafter agony is to stop her life. “Yet she must decease. else she’ll betray more work forces. Put out the visible radiation. and so put out the visible radiation. ”

This citation suggests that he is utilizing false logical thinking to warrant his actions. By killing her. he is stoping his ain agony every bit good as forestalling Desdemona from doing another adult male to endure. Othello’s psychological agony would stay every bit long as this internal conflict was present. The remotion of the cause would be justified in Othello’s eyes if it brought an terminal to his interior imposition. This is non the instance nevertheless as. after slaying his married woman he is overwhelmed with emotional agony and sorrow for his actions. talking with crazes “My married woman! My married woman! What married woman! I have no married woman! ” For all the psychological agony he has had throughout the drama. his actions merely escalate his emotional convulsion. This overpowering kernel of mental agony can merely be ended with the pickings of his ain life: “I kissed thee. ere I killed thee: no manner but this. Killing myself. to decease upon a kiss”

Through this act the audience see some sort of semi-redemption of his enduring throughout the drama. Although the fresh One flew over the cuckoo’s nest is based around how the force per unit area of society causes these psychological complaints to the work forces on the ward. their recovery must come from within themselves ; In contrast to the characters Othello and Heathcliff. Othello. overwhelmed with self doubt finally slayings his married woman Desdemona. Othello took his life as he would ne’er be able to retrieve. In similar manner. Heathcliff besides takes his life. due to the interior torture he feels for his darling Catherine. The characters need to really happen it within themselves through each other. to get the better of their emotional issues and paranoia. The message the audience receives from this construct is that mental establishments can be oppressive topographic points ; and in order for an person to retrieve from their psychological complaint. they will hold to happen a manner to battle the issue themselves. Similar to Othello. after he murders Desdemona ;

Heathcliff’s enduring merely intensifies after the decease of his love Catherine. The decease of Catherine is presented ironically. to hold been caused non by childbearing. but the religious nexus between her and Heathcliff being separated. Earlier in the novel. Catherine states the phrase “I am Heathcliff! ” Know that she is dead and Heathcliff fulfilled his desire for retaliation. nil is deserving populating for. He is invariably haunted by the memories of Catherine. which merely increase his psychological agony. He becomes so mentally unstable that he really has Catherine’s casket palpebra opened. Similar to Othello. in order to stop this grim emotional agony decease is the lone option. Changeless feelings of Catherine on Heathcliff province of head are apparent when Heathcliff speaks to Nelly: “What does non remember her [ Catherine ] ? Those two [ Catherine Linton and Linton Heathcliff ] are the lone objects which retain a distinguishable stuff visual aspect to me ; and. that visual aspect causes me hurting. amounting to agony. ”

In the terminal. in order to get away all the psychological agony Heathcliff. like Othello. takes his ain life. The captivated character of Roderigo besides suffers within the drama via the use of Iago. Roderigo. who is profoundly in love with Desdemona. assists the character Iago in undermining the state of affairss of the other characters. in belief that Iago will assist him win Desdemona’s favor. However. Iago has no purpose of helping the demands of the regretful Roderigo ; alternatively merely utilizing the fleeceable figure to accomplish his ain desires. Again. Iago plays on the emotions of Roderigo. He inconspicuously flatters Roderigo ; doing out that the lone manner he can be with Desdemona is to execute such Acts of the Apostless that will necessarily convey the ruin of the environing characters. Evidence of this can be seen when Iago persuades Roderigo that the remotion of Cassio will assist in his purpose to be with Desdemona. Inevitably. Iago’s use leads to the death of Roderigo by none other so Iago himself. feigning to be the honorable face in forepart of those witnessing the onslaught on Cassio. “O murd’rous slave! O scoundrel! ” Roderigo’s agony is straight related to Iago’s intervention which in bend. leads to him being murdered.

This agony inflicted upon Roderigo has been caused by his ain naivete and the trust he holds for Iago’s use. The character Nurse Ratched can be compared to Iago for her use of those patients on the ward. Her use is apparent when Nurse Ratched tells the patients that the daze store and other surgical processs are good for you. Even though the patients are good cognizant that they are non healthy. they are all so psychologically damaged that they will non travel against the authorization. Similarities to Iago’s usage of Roderigo and Nurse Ratched’s methods can be compared to the relationship between Isabella and Heathcliff. Isabella. who at first deeply loves Heathcliff. “I love him more than of all time you loved Edgar ; and he might love me if you would allow him” . forfeits her relationship with her brother in order to be with Heathcliff. He nevertheless does non experience the same manner about her. Heathcliff concluding for get marrieding Isabella is merely to derive retaliation over Edgar. Heathcliff treats Isabella with disgusting disdain during her stay at Wuthering Heights.

This deficiency of mutual love Isabella craves causes emotional agony on her portion. to the point where she leaves to populate in London with her unborn child Linton. The guiltless character of Desdemona is the personification of fidelity within the drama. She demonstrates firm love for Othello throughout the drama. even in forepart of her male parent Brabantio: “So much I challenge. that I may profess due to the Moor. my Godhead. ” Before being murdered. tonss of punctuation is utillised in order to interrupt up the address. which adds to the increasing tenseness and emotional agony on Desdemona’s portion: “What. my Lord? / How? Unlawfully? ” We besides see the first major facet of fright in the drama. She pleads to be sent off instead so be killed. “O banish me. my Godhead. but kill me not…Kill me tomorrow: Let me unrecorded tonight! ” This emotional convulsion clearly emphasises to the audience that Desdemona’s exposure and panic merely adds to her emotional and inevitable physical agony. Again. her concluding line in the drama after being smothered by her hubby professes her trueness and unswerving love towards Othello.

This is apparent when Emilia asks “O. who hath done this? ” Desdemona answers. “Nobody ; I myself. Farewell. ” Even after being murdered. she does non desire Othello to be punished for killing her. It is this trueness and artlessness that marks her out as the character that has had no ego bring downing portion in her agony. Others use and uncertainty are the cause of Desdemona’s death. The vulnerable province Desdemona was in can be straight compared the bulk of the patients on the mental ward. The work forces on the ward suffer from dehumanization and even emasculation. This is apparent by the character Old Rawlet’s decease by emasculation. The methods of use Ratched uses quarry on the vulnerable province of the inmates. Menaces of public embarrassment are adequate to maintain the patients in line. non desiring to endure any longer impositions. “If Mr. McMurphy doesn’t want to take his medicine orally. I’m certain we can set up that he can hold it some other manner. But I don’t believe that he would wish it. ”

When the character McMurphy is turn outing to be a job. Large Nurse efforts to penalize him via daze interventions. Equally good as a penalty. McMurphy is used as an illustration to the other patients. clearly underscoring what will go on if you go excessively far. This intervention was being used by the Nurse to floor those other patients into non back uping McMurphy and saying that others will endure if it continues. In the drama Othello. menaces are non made at all. In contrast. the character Othello does non give Desdemona the opportunity to atone and. instead so endure any more psychological convulsion. kills her. The character Catherine from Wuthering Highs can be seen as the complete antonym to Desdemona. Her brotherhood with Edgar was out of convenience in order to better her societal position. This is apparent when Catherine exposes her ego centered and position witting nature. “It would degrade me to get married Heathcliff now. ” To better her standing in society was the chief ground why Catherine marries Edgar. This is the antonym of Desdemona who married the adult male she loved in malice of cultural differences. Again. Catherine’s agony was chiefly self-inflicted.

The treachery of her feelings for Heathcliff acted as a accelerator for the agony of others within the novel. particularly Heathcliff. Even though Catherine loves the thought of Edgar. she still believes that Heathcliff is her soul-mate. Not being able to be with Heathcliff. seeing him with Isabella merely increases her psychological hurt which in bend was a major lending factor into her decease. In all three of the texts explored. the subject of agony is apparent throughout. It is one of the key factors which drive forward the plot line. It is apparent that each writer has separately designed their characters to be affected by different types of enduring in different ways.

Those characters who psychologically suffer within these infusions have frequently been manipulated by other people or outside influences which in bend puts them in their state of affairs. The writers use those characters who suffer life experiences as the chief foundations for their plot line. The reactions each of these characters make and how they affect others around them is a changeless recurring factor throughout each infusion. Suffering makes the footing for each characters function in their designated text. whether it happens to them. affects them or is caused by them. The subject of agony is a important component in which without it. both novels and the drama would hold been less successful.