Crime And Punishment And Othello Comparison And

Crime And Punishment And Othello: Comparison And Contrast Essay Essay, Research Paper

Crime and Punishment and Othello: Comparison and Contrast Essay

by: Aubrey Wood

In both Crime and Punishment and Othello there is a subject of necessary

balance. Crime and Punishment & # 8217 ; s subject that adult male must be balanced in order to

map decently is really similar to Othello & # 8217 ; s subject that, tragically, green-eyed monster

is destructive, even to the 1 that holds it.

In Crime and Punishment, Raskolnikov & # 8217 ; s utmost intellectualism caused

him to halt operation as a complete and balanced single which finally

cost him his freedom. For Othello, it was his utmost green-eyed monster that caused him

to go emotionally imbalanced, which cost him both Desdemona and his ain life.

In both instances the extremes create imbalance which ends up bing a batch. There

is a difference, nevertheless, and that excessively lies in the extremes ; while Raskolnikov

is excessively rational and lacks emotion, Othello is a fury of emotions and

requires some mind or reason.

One stylistic device both writers used to show this imbalance is

boding. On page 84 in Crime and Punishment, Raskolnikov says, & # 8220 ; If they

inquiry me, possibly I will merely state. Fall to my articulatio genuss and tell. & # 8221 ; This

foreshadows Raskolnikov & # 8217 ; s confession to the constabulary and his subsequent sentencing

to Siberia. Raskolnikov is evidently imbalanced if he can detachedly

speculate about his confession. Similarly, Desdemona & # 8217 ; s willow vocal

foreshadows her ain decease. In this manner we realize Othello must be highly

imbalanced if his married woman can anticipate her ain decease when they are still freshly wed. & lt ;

/p >

Both foreshadowed events would normally be considered as negative. The chief

difference is that while Raskolnikov & # 8217 ; s imprisonment is impermanent, Desdemona & # 8217 ; s

decease is lasting.

The interesting thing about both foreshadowed events is their sarcasm.

While both events are normally construed as negative, good things come from both.

Not until he has been in Siberia a twelvemonth does Raskolnikov eventually abdicate his

overman theory and go complete and balanced one time once more. Besides, Desdemona

will be able to forgive Othello and be with him throughout infinity. What makes

these occurrences different is their rightness. Raskolnikov was truly

imprisoned for his offense, while Desdemona was unjustly murdered for a offense she

did non commit.

Finally, both narratives include a really of import epiphany. Raskolnikov & # 8217 ; s

credence of love and God at Sonya & # 8217 ; s pess is both similar and dissimilar to

Othello & # 8217 ; s realisation of his error near the organic structure of Desdemona. They are

similar because both work forces gain the quality they lacked ; Raskolnikov additions emotion

and Othello additions intelligence, or cognition. These epiphanies are dissimilar,

nevertheless, because Sonya is alive and Raskolnikov & # 8217 ; s narrative terminals with a promise of

renewed life, whereas Desdemona lies dead and Othello adds to the decease count by

taking his ain life.

Both Crime and Punishment and Othello speak of balance, but they

decidedly do it in their ain alone manner. Crime and Punishment gives us hope

that we may happen balance, while Othello warns against the effects if we do

non. Hopefully, we can happen our ain balance in life with less convulsion than they.

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