Tintern Abbey And Frost At Mid Essay

, Research Paper

English Essay

In the eighteenth century, two of import poets started the Romantic Movement, the two

being William Wordsworth, and Samuel Coleridge. These two poets basically gave

birth to the Romantic Movement, get downing with the co-produced plants of the Lyrical

Ballads. In the Preface to the Lyrical Ballads, Wordsworth describes poesy as the

self-generated flood of powerful feelings, and inside informations his doctrine and the significance

nature has to him. The poem aggregation includes the verse form which I am traveling to discourse,

Tintern Abbey, by Wordsworth and Frost at Midnight, by Samuel Coleridge. These

verse forms are both great verse form, nevertheless Frost at Midnight is a colloquial verse form

compared to the romantic verse form, Tintern Abbey. Although written by two different poets, both verse forms, Tintern Abbey and Frost at Midnight trade with the beauty and repose of nature, and contrasting human hurt, while reminiscing about the yesteryear, present and future.

In the verse forms Tintern Abbey, and Frost at Midnight, felicity is derived from

the beauty of nature and its deeper significance and influences for the poets. Reading

Tintern Abbey I got a sense of feeling of Wordsworth s love for nature and the

understanding he has for nature. This is rather obvious with the lines ( 62-65 ) :

While here I stand, non merely with the sense

Of present pleasance, but with delighting ideas

That in this minute there is life and nutrient

For future old ages.

In Frost at Midnight, felicity is non as apparent, due to the poet s declinations of being

reared in the great metropolis ( line 52 ) , and non raised in the state, and happening merely beauty

in the sky, and stars. This leads to the hope, and subsequently felicity that his cradled boy will

be raised in the state, which is apparent through lines ( 52-56 ) :

For I was reared

In the great metropolis, pent & # 8216 ; mid religious residences dim,

And saw nought lovely but the sky and stars.

But 1000, my baby! shalt wander like a zephyr

By lakes and flaxen shores, beneath the crags

In this quotation mark, Coleridge hopes that his boy will turn up in nature, and his hope brings felicity to him. Happiness is besides connected to the character in Tintern Abbey, by returning to a loved and distant topographic point that brought back feelings of enlightenment and composure with the nature. This is shown in ( line 49 ) & # 8220 ; we see into the life of things. & # 8221 ; In both verse forms, the description of beautiful scenes, one in the Wye Valley and the other of his imaginativeness and hope, radiate the love of nature and the felicity it brings to people.

In both verse forms, life is presented in a series of distinguishable stages, with

palingenesis of memories, characterized by different responses to nature.

In the first 21 lines, Wordsworth describes the scene as unchanged during the

past five old ages. The poet emphasizes the oversight of clip, stating, & # 8220 ; once more hear, & # 8221 ; ( line 2 )

& # 8220 ; once more do I lay eyes on, & # 8221 ; ( line 4 ) and & # 8220 ; once more I see. & # 8221 ; ( line 14 ) . In line 22, Wordsworth shifts his

attending from the present scene to sift through his memories of it. In Frost at

Midnight, we see this once more, as the adult male cradling the babe from line 28, recapitulates his

memories and distinguishable stages in clip. For Wordsworh s verse form, these memories have

comforted and consoled him in the intervening old ages spent in less beautiful, more urban,

city-like scenes. They have besides generated tempers of composure and a sense of

peaceableness of the Wye Valley, to edify him. In such temper, another sort of

perceptual experience comes, where & # 8220 ; we see into the life of things & # 8221 ; ( line 49 ) . It seems to the reader

that Wordsworth is so rather deep in his love and apprehension of nature, as his

love for the Wye Valley is shown in lines 46-49:

In organic structure, and go a living psyche:

While with an oculus made quiet by the power

Of harmoniousness, and the deep power of joy,

We see into the life of things

Wordsworth is s

piritually attached to the Wye, and retreats to it from the busy and unreassuring universe. In Frost at Midnight, Coleridge is non as meaningful or apprehension of the nature as Wordsworth is in his poesy. While Coleridge merely describes nature in great fanciful item, Wordsworth probes deep into the significance of nature and gives a graphic image of what he sees. In line 58, Wordsworth begins a passage back to the present clip and displays the pleasance of the minute and besides predicts that he will bask it in future memories. Frost at Midnight does non hold the same phases of adulthood in its verse form as Tintern Abbey does, but there is a phase of young person and adulthood in it. Last, there is a sense that as the baby grows up, he excessively will be portion of the new natural pure life rhythm. In Tintern Abbey ( line 66 } he starts to sum up his life as a series of phases in the development of a relationship with nature. At first, he roames every bit freely as an animate being, but as he grows up he feels joy and passionate engagement with his ain young person. He becomes involved with human concerns, is more thoughtful and sees nature in the visible radiation of those ideas. His love for nature is more hushed as he matures, and leads into lines 106-107, where Wordsworth suggests that the head non merely receives esthesiss from the outside universe, but it besides creates new 1s. In the line the “mighty universe of oculus and ear” is based on nature but is besides shaped by the poet’s head. In the concluding subdivision of the verse form, from line 111 to the terminal, Wordsworth turns to his Sister, and he compares her simple, intense pleasance with his ain at the earlier phase of his life. The verse form closes as he argues that she will profit from the love of nature as he has done and will happen comfort from the “dreary” scenes of grownup day-to-day life ( line 131 ) .

The beautiful, and picturesque scenes of landscape in Tintern Abbey and

Frost at Midnight leads to the love, and apprehension of nature. As Wordsworth wrote

his verse form Tintern Abbey, it was the beautiful landscape of the Wye Valley that inspired

him. However Coleridge was less inspired by nature, depicting nature merely in his hopes

for his boy, ( lines 55-60 ) :

But 1000, my baby! shalt wander like a zephyr

By lakes and flaxen shores, beneath the crags

Of ancient mountain, and beneath the clouds,

Which image in their majority both lakes and shores

And mountain crags: so shalt 1000 see and hear

The lovely forms and sounds intelligible+

In Tintern Abbey, the description, item, and suggestion of nature is really deep and

meaningful. For illustration the usage of landscape in Wordsworth s verse form which is shown as

rich, green, and peaceable, suggests the privacy of a hermitage. In his poesy, the subject

of enduring from Lyrical Ballads, are shown with mentions to aimless inhabitants in

the houseless forests ( line 20 ) , and the still, sad music of humanity ( line 91 ) . Frost at

Midnight has a less complex significance where, the male parent has non experienced nature at

such a immature age, and was non taught the ageless linguistic communication ( line 61 ) of nature at a

guiltless age. To him the sky and stars ( line 54 ) were beautiful, because he was distant

and close out of simple low life in the state, by being reared in the great metropolis ( line

52 ) . In contrast, his hope after seeing the beauty of nature, seeing the soundless icicles,

( line 74 ) verdancy, ( line 68 ) or the redbreast sit and sing ( line 68 ) , is that his babe

will turn up with the things he did non hold and larn the beauty and repose of nature,

which is symbolized by the hoar in the verse form.

While verse forms Tintern Abbey and Frost at Midnight have a similar message, nevertheless, Wordsworth is far more expressive and shows a deeper apprehension of the nature so Coleridge. Nevertheless, both trade with the beauty of nature and human hurt, while remembering ideas on the yesteryear. Both writers try to change the mundane world by supplying a charming and fanciful circuit of nature. These poets were innovators in the Romantic epoch of poesy and provided future poets such as Keats, Shelly and Lord Byron with inspiration to foster the Romantic Movement.