Nalysis Of Composed Upon Westminster Bridge Essay

, Research Paper

NALYSIS OF COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802

In Composed Upon Westminster Bridge, September 3, 1802, by William

Wordsworth, the talker, once more, his sister, reflects upon a beautiful position

of the metropolis by utilizing such literary devices as rime, personification,

exaggeration, and imagination. The talker manages to make a vision in the

reader & # 8217 ; s mind that is so graphic, that one can visualize oneself on that really

span. This verse form is another illustration of Wordsworth & # 8217 ; s want to make

poesy utilizing nature as inspiration.

Earth is personified in the first line as a being that has ownerships that

he can demo off, for illustration, its metropoliss. The metropolis is so personified in

line four, as a individual have oning a all right robe. The 6th line contains the

breathtaking imagination of a crude skyline in a clear, forenoon sky. The

imagination in line eight, & # 8220 ; All bright and glittering in the smokeless air, & # 8221 ;

calls to mind the image of eternal clarity, eternal pureness. All

throughout the verse form, Wordsworth uses his hallmark mentions to nature,

painting the amazing image in the reader & # 8217 ; s head. The river is personified

in line 12: & # 8220 ; The river glideth at his ain Sweet will, & # 8221 ; demoing a

relatedness in the position of the metropolis. the houses are asleep in line

13, a definite personification. & # 8220 ; The mighty Heart is lying still & # 8221 ; in

the last line is hyperbole ; e every bit good as personification: it serves to demo

that in the repose of

the metropolis, there can non be a concern stirring in the

bosom, merely peace.

The talker, once more, is Wordsworth & # 8217 ; s sister. She besides experienced this

vision with him, and wrote about it in her diary. She wrote:

& # 8220 ; It was a beautiful ; forenoon. The metropolis, St. Paul & # 8217 ; s, with the river and a

battalion of small boats, made a most beautiful sight as we crossed

Westminster Bridge. The houses were non overhung by their cloud of fume,

and they were spread out infinitely, yet the Sun shone so brilliantly, with

such a ferocious visible radiation, that there was even something like the pureness of one

of nature & # 8217 ; s ain expansive eyeglassess & # 8221 ; ( Parker 3 ) .

This journal entry does non resemble its matching verse form every bit much as the

one for I Walked Lonely as a Cloud, but there is still a batch of his sister & # 8217 ; s

influence on his work. Again, their close relationship helped him to

gaining control her feelings in his poesy.

The verse form depicts a graphic scene that is yet another fond memory shared

between Wordsworth and his sister. He uses beautiful linguistic communication and clever

literary devices, particularly imagery, to do the metropolis come alive before the

reader & # 8217 ; s eyes. The passionate image that the verse form pigments is a memory that

composures and placates.

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